Patrick Callet, President of the Centre Français de la Couleur, General Chair of AIC2020
4 THEMES, 8 SESSIONS
For breaking with the classical opposition between “natural” and “digital”,
the parallel sessions will be hosted in the Conclave Room and Benoît XIIth Cellar where they will include attendees specialized in both worlds.
Natural Colours — Digital Colours
Sessions Organisation
We wish to highlight the links and provoke reciprocal listening, make living a true disciplinary sense always enriching each other. It is of high importance that the dye or textile specialist, listens, exchanges with the measurement device manufacturer or with the display specialist, the photographer, the paint or cosmetics formulator…in order to each of us exits its own shell in which he lives within his only disicipline.
Colour is undisciplined!
Sessions 1 and 2: COLOUR, ENVIRONMENT AND SUSTAINABILITY
Sessions 3 and 4: COULOUR AND HERITAGE
Sessions 5 and 6: PERCEPTION, CAPTATION AND COLOUR CREATION
Sessions 7 and 8: DIGITAL COLOUR AND VIRTUAL WORLD
COLOUR, ENVIRONMENT AND SUSTAINABILITY
Session 1
Materials and applications Sciences and industries : structural colours, natural colorants, bio-inspired pigments (food, cosmetics, paints, textiles…)
Session 2
Sustainability, health, biodiversity, lifespace, landscape, urban planning, building materials, etc.
PERCEPTION, CAPTATION AND COLOUR CREATION
Session 5
Scientific Dimension and economical impact Human, animal and machine Vision ; economic impacts ; design, marketing, packaging, …
Session 6
Social and cultural extents, New kind of knowledge and cultural dissemination (sound and light show, digital devices and human interaction), artwork reproduction, new fields of creation and digital colour fidelity to natural colours, ethics and virtual or real artwork restoration, virtual/real make-up, etc.
COLOUR AND HERITAGE
Session 3
Material approach: past and future architecture, natural ligthing, materail and digital restoration, art materials, 3D digitization technologies, …
Session 4
Cultural approach intangible heritage and knowhow, language, anthropology, teaching colour, …
DIGITAL COLOUR AND VIRTUAL WORLD
Session 7
Technology, Colorimetry and instrumentation, spectral image synthesis, display devices (TV, video, mobilephone, overhead projector, Head Mounted Display, etc.), 2D and 3D digital printing, lighting, physics of colour, etc.
Session 8
Interaction between natural colours and digital colours, applications. Virtual Reality, Augmented Reality, Diminished Reality, image analysis, image synthesis, graphics creation and applications (movie industry, video games, medecine, odontology, prothesis fabrication, building and construction, etc.)